Comity has been making noise ever since 1996, with a line up that evolved through out the years, along with their music. After a demo recorded in 1998, on which the metal hard core influences blends in with a powerful NYHC style, the band finally settles with a stable line in the year 2001 with a split album « The catharsis syntax project » with the Parisian band XII, which becomes the first true recording made of the band ever since they formed. The chaotic structures and the oppressive atmosphere rooted in this album, were to be the basis of the bands music and artistic approach to what was to be there own vision of music. This unusual approach arouses about every bit of curiosity from the press and public that encounters the band and its music. The complex and technical structures collide with an atmospheric and oppressive feeling of frustration. This is how Comity keeps pushing the limits, to an extent where its music becomes an unorthodox but innovative downward spiral to self inflicting emotional chaos. By this time, the band sets up to record some new material for an upcoming release. This shall be a 5 acts concept album: « The deus ex-machina as a forgotten genius ». Recorded in august 2002, the album is released in march 2003, and gets a warm welcome from the French and international press. The band will be touring for over 2 years becoming one of the most promising act in the scene. After a re-release of the bands album on US label United Edge Records including 2 previously unreleased tracks, they hit the studio to record their second opus : " ...As everything is a tragedy". and reveal a more mature and abstract brutal music.This new material will be released on july 24th 2006 on CANDLELIGHT records (EMPEROR, CROWBAR, ZYKLON, BLUT AUS NORD, STARCKWEATHER, OVERMARS, SHE SAID DESTROY...). COMITY played over 100 gigs with bands like THE DILLINGER ESCAPE PLAN, CONVERGE, CAVE IN, TODAY IS THE DAY, TERROR, DAUGHTERS, KEELHAUL, TEXTURES, JR EWING, LACK, BORN FROM PAIN, GOJIRA, DAGOBA, NOSTROMO, BLOCKHEADS, BLACK BOMB A, AMANDA WOODWARD and blew up the stage of FURY FEST 2004 in front of thousands amazed people.
*INNER DEATH EXPERIENCE*
>>>>> From Belgium, with the drummer of Raxinasky,
>>>>> they play intense and dark metal noise, with grinding
>>>>> moments and heavy atmosphere, think to Today is the day, Crowpath.
>>>>>
>>>>> www.myspace.com/innerdeathexperience
http://www.nextclues.com
INNER DEATH EXPERIENCE Red Paradox At The Origin Of My Disease :
innerdeathexperience is a call to the ancient gods as well as a request for a new mythology.
Certes.
En passant rapidement sur cet insupportable désir qu'ont les groupes du hardcore d'aujourd'hui de se créer toute une aura ésotérique (dans cette scène, ce ne serait pas Neurosis qui a commencé avec ces conneries d'occultisme pour métalleux adorateurs du Baphomet par hasard ?), la musique de combat de ces bruxellois est en tous points excellente. A chaque instant il se passe un truc et l'attention est maintenue tout le long. Entre les charges têtes baissées, ils se permettent quelques incursions psychédéliques avec nappes de synthés et samples de films, comme sur le très long et doomesque Disease qui termine le EP. Difficile de ne pas penser à la façon dont Today Is The Day s'éparpille parfois, même (et surtout ?) quand le quatuor donne tout ce qu'il a dans le bide lors de blasts animaliers. Après avoir jonglé pendant deux titres (Red Ink et Origin) avec une savagerie grind et un noisecore plus technique, de bonnes mélodies montrent le bout de leur nez (sur Paradox) et cet ensemble disparate mais spécialement bien branlé permet à innerdeathexperience de se placer comme un nouveau groupe sombre et haineux avec qui il faudra désormais compter.
Cet EP dont le nom des quatre morceaux forment le titre n'est qu'un prélude à un véritable album à sortir en 2008 et s'ils parviennent à obtenir en studio un son moins uniforme, il risque de faire très mal.
Bil.
