As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. Most people who know the band have a story to tell or they heard a story about the guys. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning out entire small towns of their drug supply, these stories spread throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.   Certainly not the first band to be surrounded by myth and lore, EYEHATEGOD‘s staying and growing power ultimately comes from the music. No one riffs like Jimmy Bower and former guitarist Brian Patton, who left the band amicably earlier this year following the birth of his second child. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery. All combined, the music is the most genuine, distressing cacophony of sound around.   “Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. Today, that style might sound somewhat commonplace. In 1988 it most definitely was not. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, EYEHATEGOD sounds as fresh and innovative as ever. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. They were touring more than ever and used that time and energy to work on an album’s worth of songs. At the end of 2012 they were ready.   The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.   An unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. An outpouring of condolences and tributes spread online. Enough can’t be said of the loss felt by the band, family and friends. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about; seriously not taking yourself too seriously. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. The band hit the road after wrapping up the record and have been on their most intensive touring cycle ever since.

CHURCH OF MISERY was founded by Tatsu Mikami (bass guitar) back in 1995. After the breakup of his leading thrash metal band SALEM (that had toured in the UK several times and received critical acclaim from metal fans as well as the press) Tatsu decided to start his own solo project. He wanted to do something that reflected his other musical inspirations - doom metal and doom rock. Apart from metal and thrash, he was strongly influenced by doom bands like SAINT VITUS, BLACK SABBATH and became aware that his own riffs had started to include doom vibes. Also, he was very much into late 60's/early 70's heavy rock material like LEAF HOUND, NOVEMBER, MAY BLITZ, HIGH TIDE, GUN, BLUE OYSTER CULT and so on. It was natural for him to shift his musical direction from metal to a more rock-influenced style.   In 1995, Tatsu formed a band with Tomohiro Nishimura (guitar), Hideki Shimizu (drums), Kazuhiro Asaeda (vocals), that was named CHURCH OF MISERY. In April-June 1996, they recorded their very first demo entitled "ADV.1996." Copies of this demo were sent to fanzines, labels, and bands overseas. They originally intended this as a promotional pack for friends in the underground doom scene. But Doom Records (USA) released the demo as "Vol.1" without the permission of the band. They hadn't expected anything like that to happen and of course made a complaint to the label. Ironically, as a result of this bootleg release, their name became well known amongst doom metal listeners all over the world. About 10 years later, "Vol.1" was released officially for the first time on Leaf Hound Records (JAPAN).   In 1997, Japanese label Cornucopia Records released a compilation record "Doomsday Recitation" that featured four Japanese doom bands ETERNAL ELYSIUM, MILLARCA, BERENICE and CHURCH OF MISERY. At the time, CHURCH OF MISERY had a new singer, Nobukazu Chow. In 1998, with this line-up, they released an EP called "TASTE THE PAIN" on Bad Acid Records (UK) and a split CD, "BORN TOO LATE" with Canadian doom band SHEAVY. Back then, they started to play gigs constantly, mainly in the Tokyo area and started to build a good reputation with underground metal fans in Japan.   In 2000, Tatsu reformed the band with new members Yoshiaki Negishi (vocals), and Junji Narita (drums), and they started to use analog synthesizers on stage. Elements of krautrock and psychedelia, add further elements that work effectively with their evil lyric theme of serial killers. The new singer Negishi's hardcore punk/thrash/death metal background gave more aggressive edges to the band's sound, and CHURCH OF MISERY's music started to sound much more brutal than ever before.   In 2001, they finally released their first full-length album "Master Of Brutality" via Southern Lord Recordings (USA). Doom metal/rock listeners all over the world were totally fascinated by their unique doom-gloom-bizarre songs, sounds, and lyrics. As a result this unique band acquired the undisputable reputation as "the heaviest band from Japan". Unfortunately, guitar player Nishimura left the band soon after the release of their debut album for personal reasons, but his successor Takenori Hoshi's guitar playing suited the band's direction perfectly. In short, Hoshi was more deeply into 70's heavy/psychedelic/blues rock like Peter Green (FLEETWOOD MAC), Manuel Gottsching (ASH RA TEMPEL) etc, etc. However, three years later, singer Negishi left the band because of musical/lyrical differences, and was replaced by Hideki Fukasawa who used to be the front man for Yamanashi hardcore/death metal band BLEED FOR PAIN.   In 2004, with this new lineup, they released their second full length album called "The Second Coming" on DIWPHALANX RECORDS (JAPAN). Their music style became not only more mature, but also even more brutal and bizarre, and it heavily terrorized both the doom listeners and bands on this planet. Since then, they have toured in Europe/US frequently and have shared the stage with famed and infamous western bands such as SAINT VITUS, CATHEDRAL, EYEHATEGOD, ELECTRIC WIZARD, ORANGE GOBLIN, FIREBIRD, THE GATES OF SLUMBER, DEATH ROW, ANGEL WITCH, etc. etc. Also, they have appeared in renowned metal/rock festivals in Europe/USA such as Roadburn (Holland), Hellfest (France), and Maryland Deathfest (USA) to date. Their reputation abroad continued to grow and grow as time went by.   In 2006, guitar player Hoshi left the band due to personal issues, and was replaced by Australian guitarist Tom Sutton who had lived in Japan for years. Tom had often taken part at CHURCH OF MISERY gigs and was well known to the band. He was such a huge fan of the band that he knew and could play almost all the band's songs at their first studio session. With this new lineup, they wrote and recorded their third album "Houses Of The Unholy" that was released via Rise Above Records (UK) in 2009. With this release they created another murder-doom classic and had great reactions from people in the doom scene. But, shortly after the completion of this record, the singer Hideki left the band for personal reasons, literally disappearing from his colleagues. So, the band was joined by the previous (also the successor to Hideki) singer Yoshiaki Negisi. With Negishi as a frontman again, the band flew to Europe and USA for more extensive tours.   After the release of "Houses Of The Unholy", they continue to go to western countries over and over again, and had some fantastic tours with the mighty doom-sludger's EYEHATEGOD. Besides this, they headlined in the US for the first time. After the tours for "Houses Of The Unholy", Tom decided to leave the band because of a move to England, but the band had been through a pretty difficult time while seeking his successor, and out of goodwill Tom continued with the tour.   In 2012, ex-EARTH BLOW guitar player, Kensuke Suto joined the CHURCH OF MISERY camp and they toured in Europe. But after this tour, the band parted ways with Suto and Negishi due to musical and personal differences. Tatsu and Junji contacted the previous singer Hideki, and they decided on a reunion, joined by new guitar player Ikuma Kawabe (ex-DHIDALAH) in late May 2012.With this new line-up, they started writing and recording the new record, and completed it on January 26, 2013. The new album, Thy Kingdom Scum will be out very soon via Rise Above Records (UK) and Metal Blade Records (USA). The title Thy Kingdom Scum will remind hardcore CHURCH OF MISERY fans of their early years track called "Kingdom Scum"in"Vol.1". This record includes a cover song "One Blind Mice", originally written by UK/70's Hammond organ rock trio QUATERMASS. 

4 buddies who worship "thee mighty riff" and the dark side of humanity. 4 long time friends with a strong experience in the rock/metal scene.

For many years they wanted to do a band together. now the time has come.

This is their new project. This is Temple Of Nothing.