SUNDAY 11.09.2016 : SUN 11.09.2016 :
GHOLD (UK) + WYATT E. (BE) Sludge / Doom
Flyer
Sludge / Doom
Ghold
From Leeds and Oxford originally, Al Wilson and Paul Antony formed GHOLD in 2012 in Brixton, London. The, then duo, wrote and rehearsed and wrote a total of three full records (Judas Goat, Galactic Hiss, Of Ruin) in a disused bathroom/toilet in their shared flat- amps stacked high in the bath, drums shells spread around the toilet bowl. They gained local notoriety and respect throughout the local underground noise and metal scene for their progressive approach to the gnarled weirdness that has come to describe them. GHOLD are unrelentingly committed to bringing their ethos of dizzying noise and chaos to the masses.   On November 1st 2017 GHOLD released their forth album ‘STOIC’ in collaboration with London record shop ‘Crypt of the Wizard Records’ to high acclaim.   The trio have been consistently whipping up a sonic flurry of uneasy accross Europe, this year and last, and are set to release an exclusive stream only EP March 2019.
WYATT E. (BE) Drone / Doom / Oriental
Wyatt E.

After two years in the making, the band seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.
Featuring contributions from 7 international collaborators, zam ru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.
The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia.