Until The Day I Die is Kollaps’ third LP for Cold Spring Records. The record, set for release in June 2022, is merciless and visceral assault on the senses and continues the trajectory of the band’s idiosyncratic approach in their creation of sound. Until The Day I Die is an uncompromising force of harsh post-industrial music narrated by overarching themes of condemnation and redemption; violence, romanticism, sexuality, and addiction. Much of the creation and lyrical conceptualisation of the record has been stylised and presented by the use of William S. Burroughs’ cut-up method.

Currently part of the vivid Brussels electronic music scene,
German/Belgian Patrick Stevens has a long past in producing numerous records under various names, ever since 1990. From early harsh noise and industrial shows to the co-founding of the known rhythmic-noise project Sonar with ex-Klinik vocalist Dirk Ivens, up to producing techno and combining it as one of the first ever in the nineties with severe noise-injections. The blueprint for industrial techno. Releasing from the very start at the German cult-label ant-zen, the path of hypnoskull was very unpredictable, to say the least. Breakcore, noise, harshness in whatever form, the last decade now, ever since the start of the project in 1992, is a return to vocal-driven industrial meets techno with a severe political content.