Petula Clarck is a two piece combo comprising of Mat (guitar & vocals) & Vinch (drums). The band try to reach the instinctive way to create music. One rule, just one: one hour and half to create a song. If the song is bad, it goes to the garbage! If the song is good, they play it live and record it like they create it the first time. The group has never retouched his songs and never will. No cheating, Petula Clarck are songs created over the moment, without final improvement, spontaneous. To be closer to its instincts, the duet plays, invents, and serves its emotions like polaroids. It's why they like to call their music Spontrash. So they want to sharp their creativity, using this unique rule to create funky trash blues punk disco dance hits. It's fast, melodic, aggressive, experimental and noise but above all urgent and honest. They play in the middle of the crowd, two dudes, one drum, one guitar and 3 amps (guitar & bass). A fast and loud drum combined with the vocal effects, animal screams and onomatopoeias. They played a lot (more than 200 shows) across all Europe and USA. The instinct never lies.

Jean Jean c'est deux types qui décident de monter un groupe de rock instrumental, avec un nom au carré, parce que ça les fait marrer, mais a deux, c'est un peu vide, ils se font donc accompagner par différents instruments, soit clavier, soit basse, soit les deux.    Nos trois barbus à lunettes partent fêter la nouvelle année 2010, reclus dans un chalet, seuls, avec quelques micros et les montagnes pour témoin. Une semaine plus tard, leur premier EP est enregistré, 5 titres entêtants, entre soubresauts math-rock et spontanéité dancefloor.    Ils réussissent grâce à ce disque à enchainer les tournées à travers l'Europe, dans des lieux aussi différents qu'un squat/skate park en Slovénie, la vitrine d'un immeuble chic en plein boulevard Rivoli à Paris, un bunker désaffecté, sous la neige, en Allemagne; Mais aussi de très jolies salles comme le Trabendo, Les Mains d'Oeuvre, le point FMR ou encore la Boule Noire.    Aujourd'hui ils sortent un second album Symmetry sur le label Head Records. 

Formed in 1990 ‚Gentle Veincut’ has played plenty of live-shows all over Europe and has released a handful of records. The music is quite loud and can be described as Noiserock/Postpunk with a slight No Wave influence. Some fanzines draw comparisons to bands like The Jesus Lizard, Shellac or Sonic Youth, but nevertheless it has a style of its own. The best way to enjoy the sound is live with a decent drink of your choice.

TOTORRO is a unique band, difficult to categorize. Some describe their music as math-rock, to express a certain complexity in the structure of events, but the tracks are more like stories told… No singer: in this instrumental music, we observe the two guitarists, the bassist and the drummer.

Zucchini Drive are an eclectic electric rap duo, who found their roots in the winter of 2003 somewhere in between London, Paris and Brussels . What started out as sideproject developed quickly into a fulltime occupation. Marcus Graap (Stacs of stamina) and Tom De Geeter (Cavemen speak) both kept their influences, being the acoustic lo-fi sound of Cavemen speak on the one hand and the electronica bounce rythms of Stacs of stamina on the other.

After plenty of touring in Europe and releasing albums independently (first as the "the world after 4/02, later "Gunporn"), the Zucchini brothers signed to 2ndrec (Europe) & Hue (Japan ) to release the instant classic fullength " Being Kurtwood" (2006). For this album Tom & Marcus could count on an impressive list of producers and guest musicians. Styrofoam, Populous and B.fleishmann from the Morr Music Label, as well as Anticon's finest Alias. On vocals we could find the undisputed Markus Acher (the Notwist), the sharp MC-duo Grand Buffet and fast rapper Bleubird. Italian indie heroes Giardini di Miro added a warm dimension to some tracks.

Zucchini Drive was always honoured to play with different artists. The collaborations were as plenty as they were diverse, showing that Zucchini Drive does not fear to cross borders. A constant search for advancement makes there music sound more fresh and authentic.

Anyway, while tearing clubs up continuously in Europe & Japan in 2006, the boys started working on their newest full-length. Choosing a different approach again, they limited guest appearances and took time to get involved in the production-process. They selected a small group of musical geniuses to build their unique sound. Musical wizards as Kaeoflux (6 productions), Radical Face (2songs) or musical collaborators and all time friends as Mich from Hitch (be), Pol Isaac (be) and last but not least Nomad (be). Goodyear Television Playhouse will sweep you of your feet and take you from hip-hop, to indie-pop and folk to rockÂ… a journey not to forget

"Mathrock, hardcore and metal is combined with samples full of spoken word. No singing, but rhythm and guitar riffs that tumble over each other in songs that explode with energy. The threesome from Luxembourg is ever so happy to not have a singer. This way the attention of the audience isn’t diverted to a single person and besides they’re not attached to that nasty verse chorus structure." After releasing independently a demo and a first EP "Burning Nantucket!", the band released their first and well acclaimed album in February 2013 thanks to Get A Life records and Who's Brain records.   Their second album "Some sort of naked apes" is available since October 2015. The band decided to go for a 100% DIY ethic for this new release. Everything has been handled by the band itself, allowing them to work at their best.

Five drunken black metal fans high on PCP joined their special evil forces to create a badass and dreadful mayhem with their bleeding fingers and crooked legs to annihilate your ears and hearts. Play it loud or don't, sucka.

Atravers évolution, circonvolution, changement de line-up, Adolina tente de façonner le chaos qui l’entoure et celui qu’il génère. Entre les tirs croisés noise, punk, indie-pop, métal, adolina tente une sortie sous le feu nourri d’une seule envie : en découdre peu importe les genres et les étiquettes qu’on leur enverra à la figure. 

Après deux EP, Adolina a sorti son premier album en 2009 sous le titre Domovoï.  Suivra Caldeira, le second album, en 2014. Sous l’impulsion de Steph (A tant rêver du roi - Pau), le groupe décidera de sortir l’album en vinyle exclusivement et cherchera d’autre partenaire pour appuyer le projet : Whosbrain (Luxembourg) et Uproar for veneration (Lille).

En 2014, le groupe propose un split vinyle avec les Suisses de the Rabbit therory sur différents labels.

Début 2017 le groupe propose son nouveau LP, Dreikanter, sur les labels A tant rêver du roi, Honest house et Woshbrain... Et donc le mastering a été confié à Carl Saff (Unsane, Russian circle, Sonic youth, etc…)

En 2022 le groupe sortira son nouveau disque…

Le groupe a réalisé près de 400 concerts en Belgique, France, Pays-Bas, Luxembourg, et Suisse et a donné des concerts au Botanique et au Magasin 4 (Bruxelles), au grand Mix (Tourcoing), Au Trix (Anvers), à la Malterie (Lille), à la Zone (Liège), au Mondo bizarro (Rennes), au Localypso (Pau), au Bosschbar et au Binz squat (Zurich), au Ferrailleur (Nantes), à la Taverne du théâtre (La Louvière), à la Fiesta du rock (Flémalle), au Rock and troll (Leuze), au Pit’s (Courtrai)…

Adolina a réalisé la première partie de Therapy ? (Ir), Chokebore (Us), Part chimp (UK), Action beat (UK), 31 knots (US), Vandal x, Gatechien (fr), Reiziger, Hey colossus (UK), Papier tigre (Fr), Blacklisters (UK), Gentle veincut (D), Porch (Us), Hitch, Don vito (D), Girls in hawai, Valina (Autriche), East of the wall (US), Cornflames, et partagé la scène avec ses amis de Revok (Fr), The Rabbit theory (Suisse), Casse brique, Tang (Fr), René binamé, Pneu (Fr), Kitchen tool set…

Perils of Penelope is an instrumental rock band from Tournai, Belgium that formed in 2007. The band released their debut album This product is not a toy through Gaw ! Bastards Records in 2011. The style of instrumental rock they play is called post rock math rock, which is characterized by complex, atypical rhythmic structures and dissonant riffs.