2015 marks ten years since the formation of Chicago-based LOCRIAN, who over the past decade has left a smoldering mass of well over twenty recordings in their wake, many of them self-released, many others through labels including Diophantine Discs, Bloodlust!, Plague Journal, Small Doses, At War With False Noise, Land of Decay, Pilgrim Talk and others before signing with Relapse Records in 2012 for the release of their The Clearing LP. The band’s experimental/avant approach unifies post-industrial and black metal persuasions in a crushing alloy of organic and mechanical elements, having earned them widespread media praise from countless underground and mainstream media outlets and journalist worldwide.
Next paths traced by Fritz Hauser , Lê Quan Ninh or Chris Corsano, he said through his solo projects, its place as a percussionist and musician in their own right.
The exploration of space by the diffusion of sound and staging of the musician from the public, have become a recurring theme in his projects.
Having started in 2011 by transforming its kit using sensors, Jason Van Gulick returns with a purely acoustic set,
In this solo he developed a rhythmic and physical appraoch that plays mainly on the production of sound environment where natural drum
sounds confront with its dissemination in space. It creates in holding catchy sound masses see massive and subtle melodic and poetic moments leave
a full place for improvisation in these live developments.
