The new french noise generation, walking on post rock 'n roll steps, finds its breeding ground on the notes of Membrane. Emerging from the pop-rock underground in 2000, Membrane, previously called Blindfold, rapidly grew up with noise bands, sharing the stage with Sleeppers, Tantrum, Doppler, etc and featured on the much sought after festivals Les Eurockéennes 2004 and Le Printempsde Bourges 2005 bills thanks to the quality and mouth-to-ear reviews on their first 'Stage box' cdep and their brand new debut cd 'Utility of useless things', captured by none-the-less than Serge Morattel adn mastered by Alan Douches. Membrane, given to live reviewers, is a power act. Seeing them live is a journey, a powerful and delightful sensation into the vaults of emotion, ambition and heavyness. Hastily labelled as a music close to Breach and Unsane, Membrane was at this time at the crossing point of cult 90's french bands Basement and Portobello Bones tending to more modern and loud bands such as Neurosis and this is right; Breach.

The band was born in 2003 in Paris and its outskirts on the ashes of bands like Gameness, or Belle Epoque and starts being fully active in 2005. Revok doesn’t claim any particular influence but rather develops a profound taste for harsh and dark atmospheres. In 2005, the band puts out two self released Eps : Biocarbon Amalgamate and Program Medics And Cathode Clinics. In 2007, after featurings on several compilations the first full length Bad Books And Empty Pasts gets out on CD format on Rejuvenation Records (Microfilm, Unlogostic, New Brutalism, Scul Hazzards…). The vinyl version will be released by Denovali Records on February 2010. Since then the band wrote the soundtrack of a short movie for the franco-german channel ARTE and a split 7” with Pneu released on Music Fear Satan Records. Grief is my new moniker, their second full length will be available on Music Fear Satan Records on March 2011, recorded by Sylvain Biguet and mastered by Alan Douches.   So far Revok toured in France, Germany, Czech, Slovakia, Switzerland, England, Scotland, Belgium, Netherlands, Sweden, Denmark, Norway, Spain and Italy and shared the stage with bands such as : Narrows, Wolves In The Throne Room, Don Caballero, Amen Ra, No Means No,Taint, Buried Inside, Comity, Monochrome, Year Of No Light, Celeste, Ken Mode, Time To Burn, Silent Front, Shield Your Eyes, Panthers, Racebannon, Microfilm, Gantz, Traktor, Houston Swing Engine, Every Reason To…, Looking For John G., Fiend, Tang, HKY and many, many more.

Missiles of October is a Belgian band formed  in 2012 by 3 old guys who are playing a dirty rock, heavy and powerful! sludge vs punk vs noise rock! for fans of Unsane, Les Thugs, Jesus Lizard, Helmet, Black Flag, Mc Lusky, Unwound...   with 2 albums, 3 EP and +/- 90 crazy gigs in UK, Belgium, Netherlands, France and Germany, they get an impressive live reputation.    They play with Whores., Big Business, Cosmic Psychos, Philm (usa), Progerians, Speedozer, Dÿse, 3 times with Jucifer (us), Hard Ons (Au), Grant National (De), Vandal-X (Be), Stinking Lizaveta (US), King Phantom (fr), Clarkys bacon (De), Don Vito (De), Anomalys (Nl), Membrane (fr),  Revok (fr), The Lumberjack Feedback (fr),  La jungle, Morkobot (it), Frau Blucher, L'effondras, Remote, Animal Youth , Nine eleven .....

Grant National rock hard and play in time...and their new Album is called VOLUME II. It rules.

**Galvanize** is a Brussels-based Noise Punk Garage trio composed of members from bands such as Frau Blücher and the Drünken Horses, Missiles of October, Krakoukass, and Ratzinger.
The group kicked off in 2007 and quickly began playing numerous concerts across Belgium, sharing the stage with bands such as Contingent, The Slugs, [PUT], Sport Doen, The K, La Marmite, Dÿze, and Vandal X.
In 2011, Galvanize released their debut album, *Fistfuck*, on the label Pogo Records. After a brief hiatus, the band returned in 2014 to celebrate the 25th anniversary of Magasin4.
In 2022, Galvanize released their second album, *No Way to Sleep*, again under Pogo Records, and began performing the album live on stage.